In Coralie Fargeat's new feminist terror film The Substance, hazardous popular charm standards are the real beasts. They (women objectification, the disposal of "the outdated," the proliferation of a field built on body system modification) supply a creature of a cycle that leads Demi Moore's fading TV individual character https://jakemjohnsonfilm.wikijournalist.com/4794890/margaret_qualley_the_substance